The Brave One

Thriller has heart but needs more courage

By Matt Pais

September 14, 2007

 
Critic's Rating:
3

The Brave One
Naveen Andrews and Jodie Foster in "The Brave One" (Credit: Abbot Genser/Warner Bros.)
Photos:
A scene from the film "The Brave One." A scene from the film "The Brave One." A scene from the film "The Brave One." A scene from the film "The Brave One."
The Brave One
Running time:
122 minutes
Rated:
R
Cast:
Jodie Foster -
Erica Bain
Terrence Howard -
Det. Mercer
Nicky Katt -
Det. Vitale
Naveen Andrews -
David
Mary Steenburgen -
Carol
See full cast
Director:
Neil Jordan
Genre:
Action, Drama
Official Movie Web Site:
http://thebraveone.warnerbros.com/
Movie Trailer:
View Trailer
Overall User Rating:
4 (4 ratings)
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After random thugs pummel her fiancé to death and deliver a beating that temporarily puts her in a coma, radio host Erica (Jodie Foster) buys a gun and starts discreetly offing criminals because the cops don't seem to do anything about it. Understandably, officer Mercer (Terrence Howard) takes issue with the fact that an unidentified vigilante is doing his job for him.

Big question: After "Flightplan" and "Panic Room," can another movie about Foster under fire become an empowering story of everyday citizens fighting back?

Catch it: Suddenly wary of everything, Erica learns that the world is a tough place once cruelty has cracked it open and lets you look inside—like noticing a model of car only after you buy one yourself. Though "The Brave One" hinges on contrived plot devices and a chauvinistic view of women, both viewers and the characters onscreen must deal with the fact that we like when criminals get what's coming to them, regardless of who's pulling the trigger.

Skip it: If you like—or if you are—Donald Trump. You won't want to hear random people in "The Brave One" saying that they hope The Donald is next on the vigilante's list!

Bottom line: Foster's shell-shocked performance turns Erica into both an unstoppable action heroine and a real, traumatized person who's now aware that danger can come from anywhere. What the movie isn't exploring, though, is the empty sensation of knowing that revenge doesn't make us feel better at all.

Bonus: Just a heads-up if you ever need to give a description to a police sketch artist: As one witness learns, there's really no need to describe the suspect's rear end, no matter how much you like it!

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