The Nanny Diaries

Scarlett Johansson's first "chick flick" could use some time in the naughty corner

By Geoff Berkshire

August 24, 2007

 
Critic's Rating:
2 1/2

The Nanny Diaries
Scarlett Johansson looks after Nicholas Reese Art in "The Nanny Diaries." (Credit: K.C. Bailey/TWC)
The Nanny Diaries
Running time:
104 minutes
Rated:
PG-13
Cast:
Scarlett Johansson -
Annie Braddock
Laura Linney -
Mrs. X
Paul Giamatti -
Mr. X
Alicia Keys -
Lynette
Chris Evans -
See full cast
Director:
Shari Springer Berman, Robert Pulcini
Genre:
Comedy
Official Movie Web Site:
http://www.thenannydiariesmovie.com/
Movie Trailer:
View Trailer
Overall User Rating:
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Recent college grad Annie Braddock (Scarlett Johansson) scraps plans to work in the business world in favor of playing nanny for wealthy Manhattan couple Mr. and Mrs. X (Paul Giamatti and Laura Linney). Approaching the gig like an anthropologist observing a foreign culture, Annie embarks on the typical single-girl-in-the-city journey toward self-discovery.

Big question: With a similar origin in the world of “chick lit,” can “The Nanny Diaries” duplicate the success of last summer’s New York-set “job from hell” hit “The Devil Wears Prada”?

Skip it: Johansson shows potential in her first shot at carrying a mainstream movie, but her earnest working class character is more likable than interesting. Despite the critical success they achieved on “American Splendor,” filmmakers Shari Springer Berman and Robert Pulcini prove to be an awkward fit for the material. Clever visual quirks like Annie imagining Park Avenue denizens as museum dioramas can’t disguise the underwhelming narrative.

Catch it: Don’t blame the actors. An impressive supporting cast backs Johansson, all well matched to their one-note characters. Beyond Linney and Giamatti’s fitfully amusing portraits of self-absorption, there’s maternal Donna Murphy, sassy Alicia Keys and hunky Chris Evans.

Bottom line: “The Nanny Diaries” is ultimately as shallow as the Upper East Side society it skewers, but more damaging is the lack of a truly dynamic star turn or romance that can turn these kind of movies into rainy day cable-TV staples.

Bonus: Linney and Giamatti previously co-starred in “The Truman Show,” but their roles prevented them from ever sharing the screen—Linney was Truman’s TV wife and Giamatti was a control room director.

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