M83: forever young

What John Hughes movies would sound like in 2008

Jake Ryan, Special to Metromix

May 14, 2008

M83: forever young
Molly Ringwald in "The Breakfast Club" (Credit: Paramount )
Much in the same way that über-producer Danger Mouse cites Woody Allen as his main influence, France’s shoe-gazing revivalist M83 points to the incomparable string of John Hughes teen comedies in the ’80s as his greatest inspiration.

The brainchild of Frenchman Anthony Gonzalez, M83 captures the same synth-heavy, angst-ridden melancholy of the acts that helped make movies such as “Pretty in Pink” and “The Breakfast Club” cultural touchstones for a generation. M83 aspires to be the soundtrack for a new set of listeners struggling with their own perils of growing up.

From the menacing dance-floor march of “Couleurs” to the droning Cocteau Twins tribute “Highway of Endless Dreams,” the new M83 album, “Saturdays = Youth,” is the sound of summer 1986 retrofitted for 2008. The dreamy atmospheres of the blissful “Graveyard Girl” belie lyrics torn straight from a teenage diary: “Wise and silent / Waiting for someone to love me / Waiting for someone to kiss me / I’m 15 years old / And I feel it’s already too late to live / Don’t you?

The album-closing gentle ballad “Too Late” plays like the perfect prom-night slow jam, the tune that would play as Molly Ringwald and Andrew McCarthy find the courage to share their forbidden love with the world. Now where did I put my VHS copy of “Sixteen Candles”?

See M83 keep the spirit of Duckie alive at the Echoplex on May 20.

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