Q&A: Chloë Sevigny

A debut clothing line worthy of an Opening Ceremony

By Marcos Luevanos, Metromix

February 13, 2008

Q&A: Chloë Sevigny

In a town chock-full of clavicle-baring Best Supporting Actress nominees, it takes more than just good skin on a pretty face to get our attention. It takes style. It takes grace. It takes a cavalcade of paparazzi swarming around a young, panty-less ingénue as she rides the merry-go-round that is rehab for the fifth time. That’s why we love indie film and fashion icon Chloë Sevigny; she’s got it all in spades—well, except for the paparazzi/no underwear/rehab part. Her debut clothing line, Chloë Sevigny for Opening Ceremony, consists of a flirty array of daywear—everything from leopard print ballet flats to high-waisted gingham cigarette pants—available exclusively at Opening Ceremony’s La Cienega store. It’s clothing cut for a modern day Laura Petrie, constructed of fabrics that look as though they were provided by Betsey Johnson. We got a hold of the “Big Love” star to talk shop about everything from growing up punk in the preppy suburbs of Connecticut to Patti Smith to, well, lentil soup.

Have you always had this wonderfully unique sense of style?
I always feel like an asshole when I say this, but yeah, ever since I was a little girl I was always really into fashion. I played dress-up a lot. My mother would take me thrift shopping and I always went for the wild stuff.

Any positive style influences back then?
My brother’s girlfriends. They really influenced the style direction I went in.

What was it like growing up in conservative Connecticut with your aesthetic?
I was pretty miserable. I didn’t have a lot of friends growing up there; I was kind of an outsider. It’s a very wealthy, preppy area, so I guess maybe I was lashing out against that.

Who are your style icons?
Patti Smith is pretty great. Babe Paley, I love her style. Right now, I really like Mary-Kate Olsen. I like the Slits. I like musicians because they always get to dress as they want to. Designers like Yves Saint Laurent and early Betsey Johnson. I like punk-era stuff. I like ’80s Esprit. There are lots of things that I’m really inspired by and…I just lost my scissors. I’m doing this new thing now when I do interviews, where I do other things as I’m doing the interview so that I don’t concentrate so much, because if I do, then I get really nervous.

What are you doing right now that requires scissors?
I’m making lentil soup and I’m cutting flowers to put them in vases, but I lost the scissors.

Tell me a little about your new gig as a style advisor for Elle U.K.
It’s just one page a month where readers write in and ask questions like, “It’s my30th birthday and I want to wear something really special, do you have any advice?” So I told her, “Wear something patterned so if you spill on it, it won’t show” and “Make sure you don’t have flimsy straps, so if you go crazy, your dress doesn’t fall apart.” Stupid stuff like that.

You could have designed a line for anyone. How did Opening Ceremony get so lucky?
I’ve known the Opening Ceremony guys [co-founders Humberto Leon and Carol Lim] for a while now. I shop in their store a lot, and I think they have really great taste in merchandise. Also, they’ve already produced their own line, so I knew it would be easy to start since they have everything in house. They produce all of the clothes in New York City, which I really like.

Tell me a little about your line. Who is it for?
I wanted to make sure that there was something that would appeal to every kind of girl—from preppy to punky. I wanted to do simple cuts like American Apparel, which I love, but with crazy fabrics so you could dress them up or dress them down. I also wanted it to be versatile so you can mix them with other items. It was a lot of work, and I was really nervous as to how people were going to respond, but it’s not high fashion—it’s day wear, it’s casual wear, it’s streetwear, so I had less pressure.

Can we expect to see more designs from you in the future?
I think we’re going to do a men’s line. It will be kind of unisex; made for men so that girls can find pieces that they like too. I don’t know when we’re going to do that. It depends on the writers strike and when I go back to work on "Big Love. "

Your brother is this amazing New York DJ and restaurateur—
He’s actually looking to open something in Los Angeles, although he doesn’t know Teddy’s from Little Joy. He needs some help as far as the L.A. scene is concerned.

Speaking of the L.A. scene, where do you shop when you’re here?
Studio Wardrobe, Paper Bag Princess and The Way We Wore all have the best vintage in L.A., for sure. Resurrection is great for high-end items. They have the best prices out of anybody out here.

Eat? Drink? Dance?
I always eat at Hugo’s in West Hollywood and Yuca’s in Los Feliz. I go dancing at the Echo. Sunday nights they have a party called Part-time Punks. My favorite thing about L.A. is the radio, I always say that. KXLU and Indie103.1.

If you had to associate your style with one neighborhood in L.A., what would it be?
I guess it would be the Eastside. I just like the people that I see around in restaurants there. Their style isn’t trying as hard as people in West Hollywood or Beverly Hills. When I’m in New York, I don’t hang out in the Upper East Side, so why would I hang out in Beverly Hills when I’m in L.A.?

Is there anyone on the L.A. fashion scene whose style you admire?
I really love Liz Goldwyn. She’s an art director and a jewelry designer, among other things.

What do you think of Metromix?
I haven’t seen it yet. I heard it’s going to be like a new L.A. Weekly. Is it free too?

Indeed it is Chloë, indeed it is. So, what’s next for you?
I’m going to be in the new Chloe perfume campaign, and I just did a film down in Shreveport, La., called “The Killing Room.” It’s a psychological thriller about Project MK-ULTRA. I’m supposed to be working on “Big Love” right now, but with the writers strike, obviously that’s not happening. It’s hard to commit to anything right now, so I’m just waiting, making lentil soup.

Marcos Luevanos is Style editor at Metromix Los Angeles.

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